Jayaprada was born as Lalita Rani in a middle class household to Krishna and Neelavani in Rajahmundry, Andhra Pradesh on April 3, 1962. She was a small town girl with dreams of becoming a doctor. Her mother enrolled her in dance and music classes when she was seven years old, in addition to going to a regular school. Even though, her father and uncle were film financiers, her initial break into films didn’t come through them. She was discovered dancing on stage at a school function when she was just fourteen years old. Character actor Prabhakar Reddy gave her the name of Jayaprada and introduced her in a three minute song in the Telugu film, “Bhoomi Kosam” (1976). That immediately led her to longer roles in “Devude Digivaste” (1975) and “Naaku Swatantram Vachindhi” (1976). The floodgates opened. Major film directors, such as Bapu, K. Vishwanath and K.Balachander, approached her with quality projects. She immediately became a huge star in Telugu films as diverse as the color-drenched, big-budget “Seeta Kalyanam” (1976) to the stark, naturalistic black-and-white film “Antuleeni Katha” (1976), where she won a special acting award for her unforgettable dramatic performance. But it was her dancing skills and nuanced acting style as a mute girl that made K. Vishwanath’s “Siri Siri Muvva” (1976) into a timeless classic. It would also be her passport into Hindi films as K. Vishwanath remade it into “Sargam” (1979) and made her a overnight star in Bollywood as well. She earned her first Filmfare nomination as Best Actress for the film, and it would become one of her favorite films. She stalled on doing more Hindi films for two years as she wasn’t fluent in the language. But she became fluent in Hindi, as well as Tamil, Kannada, Malayalam and Bengali, and had hit films in all these languages. She endeared audiences with her sincere portrayal of Amitabh Bachchan’s girlfriend in her next favorite film “Sharabi” (1984), which became another big hit and earned her second Filmfare nomination as Best Actress. K. Vishwanath directed her to her third Filmfare nomination as Best Actress for her other favorite film “Sanjog” (1985). But some of her best performances would go unrewarded. In the Telugu film directed by K.Balachander, “47 Rojulu” (1981) showed Jayaprada as a innocent girl duped by her husband in Paris, France, and her struggle to escape from him. But in Hindi films, she usually played the traditionally dressed, docile, obedient wife, and while that image led to hit films, it also eventually tired her audiences. She also seemed bored and indifferent with no new challenges ahead as she had already made her other favorite films: the Hindi films “Sur Sangam” (1985) and “Tohfa” (1984), the Telugu film “Sagara Sangamam” (1983), the Kannada films “Sanadi Appanna” (1977) and “Kavi Ratna Kalidasa” (1983). The only excitement came from her personal life when she met her husband film producer Srikant Nahata. They started out as friends as he was already a married man with children. But it turned into love when he stood by her because of her income tax problems. She was branded the “other woman,” especially since Nahata wouldn’t leave his wife. So she ended up marrying him in 1986, and he has continued to be married to both women. In 1994, she also became a politician by joining the Telugu Desam Party. A few years later, a rift developed with the political party and she was deeply hurt when she was no longer in the party. She also didn’t have any major films lined up. But she kept up with her many social and humanitarian causes, especially related to poor women and children. She also became tough and strong and forged on ahead by joining a different political party in a different state, Uttar Pradesh. She won the election with the slogan line, “Andhra is my janambhoomi but Uttar Pradesh is my karmbhoomi.” She also started making films playing stronger, mature roles. In “Deh,” she played an older woman having an affair with a much younger man. She also wrote and directed “Class Medal,” a Telugu film that starred her sister’s son Siddharth and produced by her brother Rajababu. She didn’t forget her first love, dancing, and did a dance ballet in 2005 that won her great acclaim. And she also dabbled in playback singing and even recorded an album with music composer Bappi Lahiri. In 2008, she received the Filmfare Lifetime Achievement Award for her long and plentiful contribution to the South Indian film industry. Having three careers (acting, dancing, politics), and a husband, left her no time to have children of her own, even though she has expressed a desire to have children. So far, she has shown no desire to give up her three careers and in fact, stated that she’ll be as hardworking and dedicated in the future as she is now.